Re: Record Label Questions

mudcrow wrote:

the MB wiki page is taken from the wikipedia article http://en.wikipedia.org/wiki/Record_label

The wording is actually "In the music industry, a record label is a brand and a trademark associated with the marketing of music recordings and music videos"

and then says "In everyday usage, a record label is also a company that manages such brands and trademarks; coordinates the production, manufacture, distribution, promotion, and enforcement of copyright protection of sound recordings and music videos; conducts A&R; and maintains contracts with recording artists and their managers."

We should be using what is defined as a label in the music industry, which is the brand name/imprint, not the company that uses/owns the brand name, not the local company name for that region, not the distributor, not the publisher, not the music group/holding company.

As being the guilty one for quoting Wikipedia in the wiki page, I fully subscribe to mudcrow position here: our main purpose IMHO is to keep tracks of imprints, dot.
"Distributor" exists only to satisfy people who have time enough/information enough to actually dig distributor specific cat # and want to enter complex ARing to relate imprints to distribution circuits: this is 0.1% of the users, and probably as much edits.
"Holding" exists as we want to have a few of them to get the labels list structured (around 75% of all labels end up in one of the big four): AFAIK, there should be only a handful of such entities.

I'm aware label issues are not easy to sort out (this is hardly fresh news btw, and quite a few people have already fought with that in release annotations), but please, keep it simple - stick to imprints and label codes - don't trust bogus online resources (Amazon among others) - and unless you really want to spend hours long researchs, don't try to enter companies or represent socio-economic life of "labels".
Especially, I strongly disagree with the massive creation of "national" label derived from the big fours (unless of course there is *a legit reason* to think such a thing exists as a label) please don't create such bogus labels for the sake of it.

I don't have an easy solution to find label data for every case, sorry (though we could put up a wiki page with some sleeves copy and explanations), but I would like to stress it again: we are not going to be a financial database/companies database. We work on music.


In the hope that somehow helps.

- Olivier

Re: Record Label Questions

Just a small comment but I think the country variations on Labels and important.  Not only are the labels presented like that on the actual release, but sometimes these labels don't even have anything to do with each other except for their name.   

An example I would cite is Rough Trade Germany.  When the Rough Trade  label filed for bankruptcy, Rough Trade Germany carried on on its own independent from the others until being purchased by Zomba,  Rough Trade US folded there, and Rough Trade UK eventually resurfaced with support from One Little Indian. 

My point is that during a large portion of their existence, Rough Trade Germany had nothing to do with Rough Trade UK, so making these 2 labels the same in our database makes no sense.  This is only one example and has happened with many other labels as well.  Please lets keep these country divisions as they are very important and are in line with trying to provide factual data.

Re: Record Label Questions

drsaunde wrote:

Just a small comment but I think the country variations on Labels and important.  Not only are the labels presented like that on the actual release, but sometimes these labels don't even have anything to do with each other except for their name.   

An example I would cite is Rough Trade Germany.  When the Rough Trade  label filed for bankruptcy, Rough Trade Germany carried on on its own independent from the others until being purchased by Zomba,  Rough Trade US folded there, and Rough Trade UK eventually resurfaced with support from One Little Indian. 

My point is that during a large portion of their existence, Rough Trade Germany had nothing to do with Rough Trade UK, so making these 2 labels the same in our database makes no sense.  This is only one example and has happened with many other labels as well.  Please lets keep these country divisions as they are very important and are in line with trying to provide factual data.

Fully agreed, if and when such labels *exists*.
My point is/was only about the systematic creation of "national subdivisions" of some labels without any supporting proof of existence.

Re: Record Label Questions

drsaunde wrote:

Just a small comment but I think the country variations on Labels and important.  Not only are the labels presented like that on the actual release, but sometimes these labels don't even have anything to do with each other except for their name.

Sometimes they don't, most of the time they do. Yes, there are exceptions to the rule, but that's why we have the edit system - those exceptions can be handled and documented.

On the other hand, I don't think it makes any sense to create those national subsidiaries for international labels. They are local representatives of a bigger label, it really should be as simple as that. The label world is complex enough without artificial complications.

Check out my things to be fixed list in http://wiki.musicbrainz.org/ssundell and holler if you fix something.

Re: Record Label Questions

Mangled wrote:

My point is/was only about the systematic creation of "national subdivisions" of some labels without any supporting proof of existence.

I don't actually care even about the proof of existence. We're here to gather information about music, not about legal entities behind the music. National subsidiaries exist, in many cases it's necessary just to do business in a specific country. In my opinion, if those national subsidiaries use the same label(s) as the parent, we should just skip them.

Check out my things to be fixed list in http://wiki.musicbrainz.org/ssundell and holler if you fix something.

Re: Record Label Questions

Where do we find proof if not on the release itself?  I don't think we should get into the mindset that if proof can't be found on the internet it doesn't exist.  Alot of info isn't on the internet, what is on the internet may be wrong, and even wikipedia makes mistakes.  For alot of labels they don't exist anymore or have gone by names that aren't used anymore and their releases are the only remaining proof.

I don't think we should allow crap labels to be added, if somebody is just adding the country name on because that's where they bought it they should be stopped.  But neither should we start changing data from what is found on the actual album simply because wikipedia doesn't mention EMI Europe.

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Re: Record Label Questions

today I started adding some singles released on larger labels, as oppossed to the small indie labels I usually work with and I must admit I find it very confusing.

I have releases on Decca, not Decca Records. Nowhere does it say Decca Records
and CBS, again it says CBS, not CBS records, not CBS records country.
Polydor, again, not Polydor records, not Polydor country.


now I find it confusing and annoying to type in CBS as a label and be presented with a list of 10 labels, none of which actually match the name of the label.
I'm in half a mind to add new labels that actually match what is on the label, rather than what wiki or discogs or whatever says the label is.

Re: Record Label Questions

On the one hand, look at Elektra: it's been Elektra Entertainment, Elektra Records, Elektra Music Group, and they are all entered in there, and nicely related together, and it's easy to figure out which one to enter things on with the CD's in my hand, since that's what's clearly written on them, and I therefore don't have to figure it out.

On the other hand: It would be entertaining to try to enter things straight off catalog numbers however, since a band discography is invariably going to say 'Elektra' and maybe a year, and I'm not going to know without looking at each one and figuring out dates, which of the Elektra's to add to.

It's really an issue on both sides, and in this case, what seems to be happening is that the 'I'm not sure which Elektra to use' releases are going to the 'Elektra Records' entry in the database.  I am pretty sure, if there were a simple 'Elektra' entry, they would land there instead.  So let us have 'Elektra' for the "I know it's Elektra, I just don't know which one", and anyone who really cares enough or has access to better information can move them to the specific incarnation of the label, if they want.   It's still a net gain in useful information, since we can capture the catalog information in real database fields.

On the topics of countries: Of the five CD's I have sitting next to my chair, 1 says no country (bought in the UK, UK company, why would it say UK?), 1 says (Company) Sweden, 1 says UK, 1 has (Company) AB (so that one's Swedish), and one has printing in about 5 pt type in grey on grey, so I have no idea what that one says.

It's important to note also, that it's very common for artists to be signed for local markets only, to a local subsidiary. Only those that look marketable world wide might get kicked up the ladder, or more commonly, signed up on the US UK label, and that often results in older albums being re-issued several years later, sometimes with very different track listings and catalog info, by the US or UK label.  See Sissel, or The Knife, for examples of this (take a look at all the variants of 'Deep Cuts' by The Knife, for instance, reissue after reissue as they got more successful and were noticed by bigger internationals)

Re: Record Label Questions

mudcrow wrote:

http://www.carolinedist.com/catalogsear … amp;LABEL=
Caroline distribution says the label is real world but gives a different item number       CD RLW 062322 but that may not be the cat number, it could be their distribution code.

http://www.realworldrecords.com/catalog … p;-nothing is its listing in the Real World catalogue.

Real World Records is the label. Cat number is CAROL 2322-2



Ignore what discogs says, too many people have messed about with the cat numbers/labels there.  Someone at discogs has presumed that because this has a cat number that starts with CAROL it must be a Caroline Records release, but the sleeve itself states its a Real World release, distributed by Caroline Records.

err, please have a closer look! http://www.discogs.com/viewimages?what= … bid=536194 - last picture shows that this is manufactured by caroline, ergo it is a caroline release. real world records are the (P) and (C) owner and as such they should only be added as a 'label' if they provide their own cat# along with the manufacturing labels. in this case they don't (as far as i can see, anyway), so only caroline get credited.

please don't treat the discogs users like idiots - they have dealt with labels for a lot longer than musicbrainz has and there are a tremendous amount of artists, label owners and people who are involved with major labels who have built up and continue to maintain and improve the label system.

Also the cat number at discogs has been bastardised so that the release is in the correct sort order.

this isn't allowed any more, btw.

Re: Record Label Questions

Gecks wrote:
mudcrow wrote:

http://www.carolinedist.com/catalogsear … amp;LABEL=
Caroline distribution says the label is real world but gives a different item number       CD RLW 062322 but that may not be the cat number, it could be their distribution code.

http://www.realworldrecords.com/catalog … p;-nothing is its listing in the Real World catalogue.

Real World Records is the label. Cat number is CAROL 2322-2



Ignore what discogs says, too many people have messed about with the cat numbers/labels there.  Someone at discogs has presumed that because this has a cat number that starts with CAROL it must be a Caroline Records release, but the sleeve itself states its a Real World release, distributed by Caroline Records.

err, please have a closer look! http://www.discogs.com/viewimages?what= … bid=536194 - last picture shows that this is manufactured by caroline, ergo it is a caroline release. real world records are the (P) and (C) owner and as such they should only be added as a 'label' if they provide their own cat# along with the manufacturing labels. in this case they don't (as far as i can see, anyway), so only caroline get credited.

please don't treat the discogs users like idiots - they have dealt with labels for a lot longer than musicbrainz has and there are a tremendous amount of artists, label owners and people who are involved with major labels who have built up and continue to maintain and improve the label system.

So? Doesn't mean they are always correct Gecks.  It says manufactured & distributed by Caroline, but the only Label name I can see is Real World.
The label is the name on the label, not who made it or who distributed it. I've just entered a couple of hundred singles, about 50% of those were manufactured & distributed by either Decca or EMI. That doesn't mean that those are the labels.




Gecks wrote:

Also the cat number at discogs has been bastardised so that the release is in the correct sort order.

this isn't allowed any more, btw.

But that doesn't mean that all the previously bastardised cat numbers have been corrected.
That release is a prime example of the cat number being changed from CAROL 2322-2 to CAR 02322-2.

Re: Record Label Questions

mudcrow wrote:
Gecks wrote:
mudcrow wrote:

http://www.carolinedist.com/catalogsear … amp;LABEL=
Caroline distribution says the label is real world but gives a different item number       CD RLW 062322 but that may not be the cat number, it could be their distribution code.

http://www.realworldrecords.com/catalog … p;-nothing is its listing in the Real World catalogue.

Real World Records is the label. Cat number is CAROL 2322-2



Ignore what discogs says, too many people have messed about with the cat numbers/labels there.  Someone at discogs has presumed that because this has a cat number that starts with CAROL it must be a Caroline Records release, but the sleeve itself states its a Real World release, distributed by Caroline Records.

err, please have a closer look! http://www.discogs.com/viewimages?what= … bid=536194 - last picture shows that this is manufactured by caroline, ergo it is a caroline release. real world records are the (P) and (C) owner and as such they should only be added as a 'label' if they provide their own cat# along with the manufacturing labels. in this case they don't (as far as i can see, anyway), so only caroline get credited.

please don't treat the discogs users like idiots - they have dealt with labels for a lot longer than musicbrainz has and there are a tremendous amount of artists, label owners and people who are involved with major labels who have built up and continue to maintain and improve the label system.

So? Doesn't mean they are always correct Gecks.  It says manufactured & distributed by Caroline, but the only Label name I can see is Real World.
The label is the name on the label, not who made it or who distributed it. I've just entered a couple of hundred singles, about 50% of those were manufactured & distributed by either Decca or EMI. That doesn't mean that those are the labels.

well that depends. if the cat# supplied is a caroline cat#, then it can only be logged under the caroline label. if you want to log the fact that it was on real world records then fine, but you can't put the caroline cat# there because it is not their cat#. you need to put 'none' or whatever the MBz equivalent is. if someone puts the UPC there then the absense of a RW cat# isn't really a big deal.

the 'label' of a release is not the biggest picture on the rear sleeve, it's who makes the release. you can log the others, but only with their appropriate cat#s.

Gecks wrote:

Also the cat number at discogs has been bastardised so that the release is in the correct sort order.

this isn't allowed any more, btw.

But that doesn't mean that all the previously bastardised cat numbers have been corrected.
That release is a prime example of the cat number being changed from CAROL 2322-2 to CAR 02322-2.

fair enough, but it is getting done.

Re: Record Label Questions

Gecks wrote:
mudcrow wrote:
Gecks wrote:

err, please have a closer look! http://www.discogs.com/viewimages?what= … bid=536194 - last picture shows that this is manufactured by caroline, ergo it is a caroline release. real world records are the (P) and (C) owner and as such they should only be added as a 'label' if they provide their own cat# along with the manufacturing labels. in this case they don't (as far as i can see, anyway), so only caroline get credited.

please don't treat the discogs users like idiots - they have dealt with labels for a lot longer than musicbrainz has and there are a tremendous amount of artists, label owners and people who are involved with major labels who have built up and continue to maintain and improve the label system.

So? Doesn't mean they are always correct Gecks.  It says manufactured & distributed by Caroline, but the only Label name I can see is Real World.
The label is the name on the label, not who made it or who distributed it. I've just entered a couple of hundred singles, about 50% of those were manufactured & distributed by either Decca or EMI. That doesn't mean that those are the labels.

well that depends. if the cat# supplied is a caroline cat#, then it can only be logged under the caroline label. if you want to log the fact that it was on real world records then fine, but you can't put the caroline cat# there because it is not their cat#. you need to put 'none' or whatever the MBz equivalent is. if someone puts the UPC there then the absence of a RW cat# isn't really a big deal.

the 'label' of a release is not the biggest picture on the rear sleeve, it's who makes the release. you can log the others, but only with their appropriate cat#s.

Carol is the appropriate catalog #!


All of my RealWorld Cd's use the Carol- Catalog# up until Realworld moved to Narada.  I have the CD and if RealWorld wants to us Carol Catalog#'s then the physical disc in my chubby hands should be the final arbiter.  Why would I deny information to the database when it can easily be cross referenced with the UPC. (Narada uses the UPC# as the Catalog#)